Frederic

Jost

Bass
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Reviews

Frederic Jost’s Masetto is richly and solidly voiced, and one can readily imagine him taking on the title role before long. / Le Masetto de Frederic Jost est richement et solidement timbré et on l’imagine assez naturellement dans le rôle-titre sous peu.
Masetto (Don Giovanni) / Opéra Orchestre National Montpellier / Bachtrack MAY 2026
Frederic Jost possesses exactly the voice one expects for the final Deus ex machina: deep, noble and stylish. / Frédéric Jost possède quant à lui la voix que l’on attend pour le Deus ex machina final : profonde, noble, stylée.
La Voce (Idomeneo) / La Monnaie, Brussels / Première Loge MAR 2026
Frederic Jost was an impeccable Voice. / Frederic Jost a été une impeccable Voix.
La Voce (Idomeneo) / La Monnaie, Brussels / Crescendo Magazine MAR 2026
His stage presence gives the character a beautiful dimension, far removed from the usual caricature: fiery in temperament, yet more complex and touching. / Sa présence scénique offre une belle dimension au personnage, loin de la caricature habituelle : […] d’un tempérament fougueux mais plus complexe et touchant.
Masetto (Don Giovanni) / Opéra Orchestre National Montpellier / Opera Online MAY 2026

BIOGRAPHY

German bass Frederic Jost is establishing himself as a versatile young artist in both opera and concert repertoire, with recent and upcoming appearances at the Norwegian National Opera, Teatro Real Madrid, Teatro del Maggio Musicale Fiorentino, La Monnaie / De Munt, Opéra national du Rhin, Opéra Orchestre National Montpellier, Oper Frankfurt and the Bregenzer Festspiele.

2026/27 SEASON

Frederic Jost opens the 2026/27 season with his debut with the Orchestre Philharmonique de Strasbourg in Schumann’s Das Paradies und die Peri, conducted by Antonello Manacorda at the Opéra national du Rhin.

In February 2027, he makes his house and role debut at the Norwegian National Opera in Oslo as Don Alfonso in Mozart’s Così fan tutte. He subsequently returns to the Teatro del Maggio Musicale Fiorentino as the Guardian of Orestes in Richard Strauss’s Elektra, conducted by Daniele Gatti.

His summer engagements include a concert appearance at Styriarte in Graz, followed by his debut at the Festival de Sanxay in Verdi’s La traviata.

RECENT HIGHLIGHTS

Recent highlights include his role debut as Masetto in Don Giovanni at the Opéra Orchestre National Montpellier, his debut at La Monnaie / De Munt in Brussels in Mozart’s Idomeneo, and a return to Oper Frankfurt in Boris Godunov.

Further engagements have taken him to the Teatro Real Madrid, where he has appeared in Tchaikovsky’s Eugene Onegin in a production by Christof Loy, the Teatro del Maggio Musicale Fiorentino in Strauss’s Salome, the Bregenzer Festspiele as the Hermit in Der Freischütz, and the Ópera de Oviedo as Don Basilio in Il barbiere di Siviglia and the Comte des Grieux in Massenet’s Manon.

Jost made his Oper Frankfurt debut in 2018 and has since returned regularly in repertoire including Eugene Onegin, Wozzeck, Fedora and Die Zauberflöte. He has also appeared as Horatio in Thomas’s Hamlet at the Komische Oper Berlin and as the Speaker in Die Zauberflöte at the Staatsoper Unter den Linden, where he was previously a member of the Opera Studio.

Alongside his operatic career, Jost is active on the concert and recital platform and has appeared in recital with pianist Malcolm Martineau at the Pierre Boulez Saal in Berlin.

OFFICIAL WEBSITE: https://www.fredericjost.com/

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