Graduating with honors in Musical Dramaturgy from the University of Florence and in Chamber Vocal Music from the Cherubini Conservatory, he studied singing and participated in masterclasses with Carlo Miliciani, Fernando Cordeiro, Michele Pertusi, Paolo Coni, and Ildebrando D’Arcangelo.

Following his operatic debut in 2004 as Demetrius in Britten’s A Midsummer Night’s Dream, he specialized in the bel canto bass-baritone repertoire, with a particular focus on the works of Rossini and Mozart.

In July 2009, he won the 39th Toti Dal Monte International Singing Competition in Treviso, performing the role of Villotto in Haydn’s La vera costanza. He debuted the opera at Teatro Real in Madrid and later performed it in Liège, Saint-Étienne, Rouen, and Reggio Emilia.

Since then, he has collaborated with renowned conductors and directors such as James Conlon, Graham Vick, Zubin Mehta, Friedrich Haider, Jesús López-Cobos, Elio De Capitani, Riccardo Frizza, Daniele Rustioni, Andrea Battistoni, Roland Böer, Alan Curtis, Jonathan Webb, Lindsay Kemp, Gabriele Ferro, Giorgio Barberio Corsetti, Pier Luigi Pizzi, Ottavio Dantone, Robert Carsen, George Petrou, and Peter Whelan, among many others.

He has performed leading roles, including the title role in Don Giovanni at the Zomeropera in Alden Biesen, Blansac in La scala di seta at Teatro Lirico di Sassari, and Gualtiero Valton in I puritani at the Opera di Firenze. Notable engagements in 2015 included Don Giovanni at the Hungarian State Opera and at Ente Luglio Musicale Trapanese, Rossini’s Stabat Mater at the Maggio Musicale Fiorentino, and Il viaggio a Reims in Novara. He reprised Don Giovanni in various French theaters and performed Alidoro in La Cenerentola and Rossini’s Petite Messe Solennelle in Palermo. Additional appearances included The Fairy Queen in Budapest, the title role in Le nozze di Figaroin St. Gallen, and his significant debut as Count Asdrubale in La pietra del paragone at Teatro Lirico di Cagliari and the Rossini Opera Festival.

He later debuted as Talbot in Maria Stuarda in Riga alongside Marina Rebeka, Raimondo in Lucia di Lammermoor in Cagliari and Bari, Don Giovanni in Catania, and the Count in Le nozze di Figaro in Cagliari. Other key performances included Alcesteand Fernand Cortez at the Opera di Firenze, the protagonist in the world premiere of Silvia Colasanti’s Il Minotauro at the 61st Festival dei Due Mondi in Spoleto, Belcore in L’elisir d’amore at Luglio Musicale Trapanese, Apollo e Dafne by Handel in London, Guglielmo in Così fan tutte in the Marche circuit, and debuts at Barcelona’s Liceu in Handel’s Rodelinda.

Recent seasons have included Jupiter in Il ritorno di Ulisse in patria in Florence and Cremona, his return to the Rossini Opera Festival in Il signor Bruschino, the title role in Vivaldi’s Bajazet in Dublin and at the Royal Opera House in London, and his debut as Banco in Macbeth under Pizzi’s direction in the Marche. Additional engagements featured Lord Sidney in Il viaggio a Reims in Lisbon, Bajazet in Tamerlano conducted by Dantone in Ravenna and Lucca, Guglielmo in Così fan tutte in Dublin, Escamillo in Carmen in Ancona, Semele in Athens with George Petrou, and the High Priest in La Vestale in Thessaloniki. He also participated in two world premieres: Saint Dionysius in Vacchi’s Jeanne Dark at the Opera di Firenze and Enrico IV by Scarcella.

Among his most recent and upcoming engagements are Don Basilio in Il barbiere di Siviglia at Opéra de Montréal, Jupiter and Neptune in Il ritorno di Ulisse at Teatro Alighieri in Ravenna, and Belcore in L’elisir d’amore with Irish National Opera. He will return to the Rossini Opera Festival in Pesaro as Leucippo in Zelmira.